Selene and Amphitrite

And a couple more little Goddess works, this time experimenting with using a brush for outlines, rather than a pen. They are in colored inks, and are quite small, only an inch and half wide.

This one's Selene, Σεληνη in Greek, the Moon Goddess.

And this one is Amphitrite, Αμφιτριτη in the Greek, the Goddess of the Sea (or one of Them, anyway).

They're very fun, especially the Greek lettering!

Goddess of the Week

This week's pick is Selene, the Moon Goddess of the Greeks. She came up once before, the first week of February last. She is a Titaness, meaning one of the older race of Gods; Her name just means "Moon" in Greek. She is the daughter of clear-sighted Theia and Hyperion, the God of light.

One of Selene's alternate names is Mene, which means both 'Moon' and 'Month.' The calendar in ancient Greece was a lunar one, in which each month corresponded to one lunation; the first of the month was the day of the first lunar crescent (the new moon, or, more properly, the first day or so after the new moon), and the fifteenth was the full moon. These days were called noumenia and dikhomenia, respectively, and were both held sacred to Selene, though noumenia was the more celebrated of the two.

She was also given the epithets of Pasiphaë, 'All-Shining,' the name usually given to the mother of Ariadne (Herself a Moon-Goddess) and Eileithyia, the name of the very ancient Goddess of Childbirth--as pregnancy is counted in months, a Goddess of the month would logically be linked with pregnancy and childbirth. Also, perhaps, it may have something to do with light Goddesses (such as the Roman Lucina) being associated with childbirth, as when a baby is born it comes out into the light for the first time.

I am taking Her presence this week to indicate that it will be especially important to pay attention to the next two weeks of the waxing Moon, these two weeks that lead up to and include Samhain, that great (Celtic) holiday celebrating the dark and the night. Something is growing, or coming into being; something, perhaps, coming up from the unconscious into the light, such as a new way of looking at an old problem, or putting some old pieces into place regarding a past situation. Something will be brought out where it is visible, finally. Though it is not the sun's light illuminating it, remember--whatever it is it will be something of a more ephemeral nature, something of the moonlight and the night.

I suppose that's not really any different than what goes on anyway if one is in tune with the Moon's cycle in a witchy kind of way; just that Selene coming up this week means it will be especially significant, and especially worth paying attention to.

Let's see what She says:

See what you can see. Look, now. Look, under this different light. Look with these different eyes. The dark and the light, see into the shadows. Now. Now. Now you can see with different eyes. This time is different. Right now. The veil is thin, they say. Do you not see me with a veil, always, billowing behind me and soaked with light?

See what you can see by this light, now. It is a very good time for seeing.

I take that to mean divination, scrying and the like will be especially fruitful now. What do you see?


Main reference: Theoi's Selene page. Just in case there are readers out there who have not found their way to that superb site on Greek mythology, good God, get over there now.

Goddess of the Week

Selene is the Greek Goddess of the Moon. There were many Goddesses associated with the Moon in ancient Greece, but Selene was the one Who was the Moon personified.

She rode across the sky in a chariot drawn by winged white horses or mules. She was usually depicted either with the crescent moon behind Her head, or with Her luminous veil in a wind-blown arc over Her head.

Selene's great love was the beautiful shepherd boy Endymion, Who spent His life in a perpetual state of unaging sleep. The stories aren't agreed on how He came about this quirky immortality--some say it was a reward from Zeus, and chosen by Endymion Himself to preserve His beauty; others that it was in fact a punishment from Zeus after Endymion fell in love with Hera. Some say that Selene Herself created the condition, so that She might always be able to gaze upon His beauty, and so She would always have Him all to Herself. At any rate, She is said to have had fifty daughters by Him, Who represented the fifty months of the four (lunar) year Olympiad.

This odd arrangement may have been a compromise as two myths collided; and Endymion may originally be a Karian Moon-God Himself. A cave and spring on Mount Latmos in Asia Minor was dedicated to Him, and said to be the place where He slept; the waters were apparently rich with minerals, as they were said to be moon-white in color, leaving white deposits around the edges of the spring.

Selene was sometimes held up in the Greek myths as an example of how passion can bring even the loftiest of us low, as She was a Goddess loving a mortal youth, and She is mocked here and there for being brought to such a state by Eros. In Selene's case, She descends from Her place in the heavens to have sex with Endymion on earth.

But one might also say that Her love for Endymion grounds Her, quite literally, and that because of it She walks with Her feet firmly planted on the earth; and also, that though She is Goddess of the Moon, which waxes and wanes and is always changing, She finds a stability and constancy in Her love for Him.

There is a sort of liminal quality to Selene's tale, dealing as it does with themes of both heaven and earth, change and stability; and it is worth it to remember that though the Moon is constantly changing (to our eyes, anyway), its cycle is so regular that we measure time by it; and that sometimes balance is to be found in movement.

This is the week that leads up to Brighid the Bright's day, the time (in the north) when the very first stirrings of Spring can be seen; even in my neck of the woods, New England, if I were to brave the cold and poke around under the snow I would likely find the daffodils' shoots just beginning to emerge. The darkness is losing hold, surely and steadily; and though right about now I know I for one need that reminder of the light at the end of the tunnel, I think this card is calling us to sit and ground in that darkness a little while longer, and be with the cold earth.

What does She have to say?

Oh, he is so beautiful. We are a perfect pair: I change, and he is steady. Also through me a little of the light of heaven is to be found on earth. But oh, mostly he is beautiful.

Celebrate the night, while it is still Queen, and find in that darkness what is lit by the Moon. The shadows are long and dark; much is unknown; yet it is so beautiful. Be in that stillness and that silence now. Watch the shadows move across the face of the earth. Know that the stillness and the movement both are the same thing.

That is, I suppose, a bit cryptic; though certainly in keeping with the opposites being part of a greater whole theme.

What do you think?

To read more about Her, go here.